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Mott’s CD review
Book Review: Free Time
new novel, hot out of the Dragon’s Mouth Press in Hong Kong (ISBN
988-97752-3-9). Two years ago, this author presented us with the book Pole
Dancer, which was an insightful look at the oldest profession, played out
around chrome poles in Thailand. As an ‘airport’ novel, it slotted in well,
easy to read and put down again, and I even forgave it the somewhat
far-fetched ending. So when Free Time arrived on my desk, I was interested
to see what “R.D. Lawrence” (pen name) had done in the intervening two
This new novel centers around a felon called Billy Marshall, who is sent
down for 25 years for robbery, forgery and destruction of public property.
Billy did not last too long behind bars, going “over the wall” and
disappearing from public view. However, he himself admits right at the start
of the book that he is not really “free”, saying, “Am I really free? Can I
ever, indeed should I ever, stop looking over my shoulder?”
His protagonist is Inspector Jack Straw, the policeman who helped put him
away, only to see him fly the coop. Jack is sent on a mission to Thailand,
and in Pattaya he hears that the elusive Billy is in the kingdom, using the
alias Ronald Littles (as a humorous reflection on the other miscreant at
large, Ronald Biggs). However, there are others, from the UK criminal
society who are also looking for Billy Marshall. The ones who he cheated out
of their cut of the action. The strong financial pull is enough to motivate
those who make not working while having a high spending ratio, their stock
The other major player is Niang, a bar girl, who has all the usual
attributes: good looking, from Buriram, a dependant daughter and no steady
job, living above a go-go bar in Soi Cowboy. All fairly standard fare. And
oh yes, by page 136 you get to meet the family buffalo.
The book, having introduced the characters, then begins to flesh out the
minutiae to give some weight to it all. I actually found this a tad
overdone, but perhaps I know Nana Plaza and Soi Cowboy too well, while first
time readers and travelers to Bangkok do not.
By half way through the book you have more than one double-cross going
through, with everyone out to score off everyone else. Billy Marshall, being
the major player, even to the point of using his pursuing inspector’s name
as one of his aliases. That wry humor even runs through to the author using
his previous book title as an anagram in a crossword puzzle!
Another fine airport novel from R.D. Lawrence. Not too taxing to tire the
brain and with enough characters to almost fill a local village telephone
directory. The twists and turns in the plot unfold rapidly as the police
attempt to nab Billy Marshall, and at the same time Billy attempts to trap
the police. So who actually did win? You will have to buy the book to find
out. And be prepared to invest several hours to reach the denouement.
Mott's CD Reviews: Jonathan Kelly
Live 2005 The charity concert
Written by Mott the Dog
Corrected By Meow the Cat
Jonathan Kelly was one of the greatest solo artists from the early
Seventies. When I say solo artist I do not mean somebody that has a full
backing band and orchestra, sings mostly other people’s songs, and the ones
that are his own are mostly co-written. I mean somebody who can walk out on
the stage armed only with an acoustic guitar and his voice, keeping an
audience spellbound for two hours and then walks off to huge demands for
The main reason for Jonathan Kelly not being a household name is the simple
fact that he followed the hippie dream, playing many free concerts, not
really studying the words of the recording contracts too carefully, and
taking people for their words, the biggest mistake you can make in rock ‘n’
roll. It is rock ‘n’ roll music too; it maybe just one man and a guitar, but
it is certainly rambunctious music when Jonathan Kelly wants it to be, one
guitar or not, as this live album amply shows.
Jonathan Kelly’s recording career started in 1970 with the release of his
self titled solo album, which, after a few false starts, had been made with
some singles under his real name of John Ledingham, and one under the
amusing synonym ‘Humpy Bong’.
In 1975 Jonathan Kelly completed his recording contract with RCA. He then
turned his back on the whole rock ‘n’ roll circus and literally disappeared.
No big announcements, no final tours, he just picked up his new wife and
family, cleaned up his act, and went to make a simple living in Wales, and
that is the end of the story. Well almost.
Certainly Jonathan Kelly’s previous albums and concert appearances in 1972
and 1973 had left quite an impression on many music lovers, particularly a
gentleman by the name of Gerald Sables who made it his mission in life to go
and find the man that had produced this magical music. Not only did he find
him, but they became close friends. But Jonathan Kelly was still keen to
remain anonymous, although in 2001 BGO Records bought the rights to Jonathan
Kelly’s back catalogue and released ‘Twice Around The Houses’ and ‘Wait Till
They Change The Backdrop’ on a two for one basis. I cannot recommend enough
that you look this up on www.amazon.com and press ‘buy’. These albums are
essential buys, and at two for the price of one, a steal. Then in 2004 BGO
released ‘Waiting On You’ and ‘Two Days In Winter’ so that you can add to
your Jonathan Kelly collection.
Tragically Gerald Sable’s mother was diagnosed with cancer, but fortunately
she fought the dreaded Big C and beat it. Gerald Sable wanted to do
something to help the Fight the Cancer Fund, and because of his interest in
music decided a concert would be a good way of raising money. To Gerald’s
amazement his new friend Jonathan Kelly agreed to headline the concert. Word
spread quickly and the tickets sold out instantly. By the end of the evening
over one thousand four hundred pounds had been raised for charity - no mean
feat in itself.
So on the 20th April 2005 in a small club just outside Doncaster for the
first time in thirty years Jonathan Kelly stepped onto the stage to perform
to his public. The reception was deafening. There is no doubt that the man
is a little nervous at the beginning of the set, but he need not have
worried as the audience seemed to know the words better than he did.
The whole recording brings joy to whoever is in ear shot and although he had
been out of the public eye for more than thirty years the fans still loved
him, even recognizing obscure B-sides like ‘Outside’, put out on the non
album track ‘Waiting On You’.
We get given in glorious renditions eight tracks from the eleven on ‘Twice
Around the Houses’, two from ‘Waiting Till They Change The Backdrop’ (not
surprisingly none from the two albums released in 1974 and 1975) another
B-side in the anti-war song ‘Mrs Gilbert’ which is as relevant now as it was
when it was released in 1968. Plus the ‘Humpy Bong’ song from 1970 ‘Don’t
You Be There Too Long’. The only cover is a gritty version of Howlin’ Wolf’s
Sittin’ On Top Of The World, which segues into ‘The Train Song’ which is
taken at a very fast pace and who could not but love a song with the lyrics:
“The bachelor daughter to a friend of my Aunt,
Came to see me with a present of a geranium plant,
I wish she had told me not to teach it to talk,
Cause today it asked me if I would take it for a walk!”
Jonathan Kelly’s voice may have mellowed a little over the years, but this
actually suits some of the songs, allowing him to stretch every bit of
emotion out of each song. Certainly his talent and popularity have not
diminished in any way.
In-between songs Jonathan Kelly entertains the audience with stories of the
early seventies in his charming Irish brogue, which sets up the atmosphere
of the concert perfectly. Some of the stories are hilarious.
Sadly, at the moment this album is not available through the usual channels,
but can easily be picked up by looking up Gerald Sables website for Jonathan
Kelly at http://home.freeuk.net/jonathanled which is a wonderful site full
of all the things you can possibly want to know about this artist. The
website is now regularly updated, as after this concert Jonathan Kelly is
dipping his toe into playing some more concerts, and who knows, we might
even get a new album.
We Are The People
Don’t You Be Too Long
I Used To Know You
We’re Alright Till Then
Down On Me
Leave Them Go
Sittin’ On Top Of The World / The Train Song
The Ballad Of Cursed Anna
To contact Mott the Dog
email: [email protected]
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