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Mott’s CD review
Book Review: Cold Kill
“Well known author Stephen Leather was
murdered yesterday outside Jameson’s Pub, a favorite expat haunt in the Thai
resort city of Pattaya. While he was walking to the pub car park, a
motorcycle pillion rider opened fire at close range with a 9 mm pistol,
killing the British writer immediately. The publican, Mr. Kim Fletcher,
witnessed the killing, saying “I can’t believe it. He was a lovely bloke. He
had no enemies in this pub.” However, Fletcher has given the Thai, American
and British police copies of Leather’s latest book “Cold Kill”, as he
believes there may be a link between certain groups mentioned in the book
and the killing. At this stage local police have no leads, but have
apparently ruled out suicide.”
Before you gasp with shock, the above paragraph is even more fictional than
the people in Leather’s Cold Kill book published this year (ISBN
0-340-83412-9, Hodder and Stoughton); however, after reading this suspense
novel, you too would agree with Kim Fletcher’s take on the situation.
Someone had read the book and wanted revenge. Stephen Leather in this latest
book reveals a side of undercover policing that most of us have never
considered, but when presented with all the horrific details, will shudder.
Could this really happen today? In the civilized western society? Surely
The answer, unfortunately, is a staggering Yes! In fact, author Leather
intertwines factual happenings, real places and current events into this
thriller. The fact that he appears to do this with impunity does make the
reader fear for the safety of the writer. My fictional introduction might
The book opens with a description of a man being systematically tortured to
make him divulge information. After that shocking (literally and
metaphorically) introduction, you are then swept away to the balmy climes of
Phuket to meet some international terrorists. Unfortunately for them, they
get swept away as well, victims of the tsunami.
The pace does not slow, as by page 25 you are crossing the English Channel
in a boat carrying illegal immigrants. By now you are also wondering just
what is the tie-in between all these scenarios, but on page 38 you are let
into the secret. One of the smugglers is an undercover British policeman,
name of Dan Shepherd, and the rest of the book is a chilling chronicle of DC
Dan Shepherd’s covert work for the British police agency.
Leather manages to make his characterizations real, by revealing the human
side of Shepherd, a widower with a young son who is being deprived of
paternal contact, because of the demands of the job, and Shepherd’s
For your B. 395, this is the most gripping novel you will read all year.
After turning the pages from cover to cover, snarling at any interruptions
to your reading in that time, you will turn the last page and exclaim “Those
bastards! I knew it. I knew they were like that!” And you will know too why
Kim Fletcher was able to identify the (fictional) murderer of Stephen
Leather, a most believable (and still living), writer of fiction. Get this
Mott's CD Reviews: Fairport Convention
Liege and Lief
By Mott The Dog
Edited by Meow The Cat
5 Stars *****
At the end of 1969 Fairport Convention were to release an album that was to
change the face of British rock, and define a whole new genre: folk/rock.
The fact that the album was released at all was astonishing in itself. But
these days it stands the test of time as a groundbreaking work of genuine
originality and bravery.
Fairport Convention first took wing into the realms of the British rock
scene in 1967. Coming out of the North London folk scene, at first the
line-up was kept very flexible, until they released that they might be onto
something here. The line-up stabilized to Simon Nicol on guitars and vocals,
a great man to have in any band, as adaptability was his middle name, and
enthusiasm he kept in bags. Ashley Hutchings took over the bass
responsibilities and being steeped in traditional British folk music became
the unspoken leader come spokesman for the band.
On lead guitar and vocals was one of the nicest men on the planet, Richard
Thompson, who also just happened to be one of the most original guitar
players of his day, a distinctive vocalist, and a talented songwriter, so
all round a pretty useful chap to have on board.
Martin Lamble sat behind the skins and was the drummer that every band
envied, as not only could he keep time, but he brought with him a style of
his own. Judy Dyble was the female singer that fronted the band, who had a
fine clear folk voice enabling her to tell the stories the musicians were
portraying. But Judy Dyble left the band preferring to stick to her solo
folk roots and was replaced by the impeccable Sandy Denny.
Now it is beyond any doubt that Sandy Denny was the finest female vocalist
ever to come out of modern music. If you have ever heard an angel sing then
you have some idea how Sandy Denny sounds. She had a startling career,
including appearing on two Led Zeppelin tracks singing with Robert Plant on
‘Battle Of Evermore’ and ‘Going To California’, which rather proves the
point as at the time Led Zeppelin could have chosen anybody to sing on their
Ian Matthews was then added as a second vocalist and the band went into the
studio after signing a contract with the newly formed Island Record Company.
After their first album, and dissatisfied with his role in ‘Fairport
Convention’, Ian Matthews left after contributing to one track on the next
album, understandably as it was very hard for him to compete and be compared
to Sandy Denny.
Due to their popularity Fairport Convention were almost constantly on the
road, and just when everything seemed to be on the up and up disaster
struck. In June 1969, returning from a gig in Birmingham, their Van ran off
the motorway. In this terrible crash the lives of Martin Lamble and Richard
Thomson’s girlfriend Jeannie Taylor were snatched away.
Naturally the rest of the members of the band were distraught, and at first
could not bear the idea of carrying on without their fallen comrades. But
Joe Boyd, Fairport Convention’s manager, rented a remote cottage in Farley
Chamberlayne, near Winchester in Hampshire (you can tell how remote it was
by the address). The remaining members of the band were invited to live
there, and Dave Swarbrick was made a permanent member of the band. A
replacement for Martin Lamble had to be found to allow the band to continue
recording and touring. Dave Mattacks seemed to have the right temperament,
was an excellent drummer, and above all made a superb centre half for the
Fairport’s football team. Fairport Convention was a band again.
Collectively it was decided that a new direction had to be taken as the
others could not imagine playing the old songs without Martin Lamble on
The results were stupendous - a landmark in rock ‘n’ roll history. Of the
eight tracks, the album opens and closes with originals. Sandy Denny and
Ashley Hutchings ‘Come All Ye’ sets the mood perfectly, whilst ‘Crazy Man
Michael’ by Dave Swarbrick and Richard Thompson brings the album to a
fitting close. In the middle there is Richard Thompson’s beautiful
‘Farewell, Farewell’. In-between are five songs dug out by Sandy Denny and
Ashley Hutchings which have been arranged by the band. All of them little
gems. The medley in the middle is a joyous collection of tunes, jigs and
reels. But perhaps the standout track on the album is ‘Matty Groves’, all
eight minutes of it, as it tells of love between the classes. At first Sandy
Denny’s beautiful voice leads us through the story, with its sad conclusion
before the band breaks in rampaging towards the climax with a fine musical
battle between fiddle and lead guitar.
‘Liege and Lief’ (1969) to this day is the British folk rock album. A
seminal work which said it all, and launched a thousand imitators. Certainly
Fairport Convention’s finest hour. Unfortunately, in their wisdom Island
Records have decided to add two further tracks onto the original album, both
of which are outtakes never meant for the paying public and do nothing to
enhance the album.
A band under the Fairport Convention banner still records and tours to this
day, keeping the Fairport ideals alive. Ashley Hutchings was to reappear in
the band’s line-up over the next thirty odd years every now and again when
the whim took him, and is always welcomed back with open arms. Sandy Denny
re-joined the band in 1975 for another year of touring and one more album,
‘Rising For The Moon’ (1975), but left again in 1976. Sadly she died of a
brain haemorrhage on Friday 21st April 1978 after falling down some stairs
at a friend’s house the previous Monday; a great loss to the world. But her
beautiful voice lives on as can be heard here on this exquisite album.
Fairport’s on Liege and Lief
Sandy Denny: Vocals
Dave Mattacks: Drums
Simon Nicol: Guitar and Vocals
Richard Thompson: Guitar and Vocals
Ashley Hutchings: Bass and Vocals
Come all Ye
‘Medley / The Lark In The Morning / Rakish Paddy / Foxhunters Jig / Toss The
Crazy Man Michael
Sir Patrick Spens
Quiet Joys Of Brotherhood (Take One)
To contact Mott the Dog
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