by Harry Flashman
Taking the DUH out of DOF
was discussing photography in general with a semi-pro this week. We were
going through the remarkable advances that there have been, particularly
regarding the burgeoning camera-phone as the medium photography is rapidly
becoming based upon.
When the first camera-phones became available on the market we laughed at
the results. 2 MP didn’t really make the grade, unless you were happy with a
fuzzy picture the size of a postage stamp. A small postage stamp.
However, even though the top end camera-phones now boast 20 MP and an
amazing sharpness, they fall down photographically with no facility to
control the Depth Of Field (DOF), though that may change of course!
The term DOF refers to an optical one and depends solely on the lens being
used and the aperture selected. Altering the shutter speed does not change
the Depth of Field.
Depth of Field really refers to the zone of “sharpness” (or being in
acceptable focus) from foreground items to background items in any
photograph. This is different from what the eye sees, as the eye can
instantly focus on near and far objects, giving the impression that
everything in your field of vision is in sharp focus. The camera, however,
gives you a slice of time.
The first concept to remember is “1/3rd forwards and 2/3rds back.” Again
this is a law of optical physics, but means that the DOF, from foreground to
background in your photograph can be measured, and from the focus point in
the photo extends towards you by one third and extends away from the focus
point by two thirds.
For those of you with SLR’s, especially the older manual focus SLR’s, you
will even find a series of marks on the focusing ring of the lens to
indicate the Depth of Field that is possible with that lens.
You see, for each focal length of lens, the DOF possible is altered by the
Aperture. The rule here is simple - the higher the Aperture number, the
greater the DOF and the lower the Aperture number, the shorter the DOF. In
simple terms, for any given lens, you get greater front to back sharpness
with f22 and you get very short front to back sharpness at f4.
For example, using a 24 mm focal length lens focused on an object 2 meters
away - if you select f22, the DOF runs from just over 0.5 meter to 5 meters
(4.5 meters total), but if you select f11 it only runs from 1 m to 4 m (3 m
total) and if you choose f5.6 the DOF is only from 1.5 m to 3 m (1.5 m
On the other hand, using a longer 135 mm focal length lens focused at the
same point 2 meters away, you get the following DOF - at f22 it runs from
1.9 m to 2.2 m (0.3 m) and at f5.6 it is 1.95 m to 2.1 m (a total of 0.15
Analysis of all these initially confusing numbers gives you now complete
mastery of DOF in any of your photographs. Simply put another way - the
higher the Aperture number, the greater the DOF; the smaller the Aperture
number the smaller the DOF; plus the longer the lens, the shorter the DOF,
the shorter the lens, the longer the DOF (just remember the ‘opposites’ -
the longer gives shorter).
Now to apply this formula - when shooting a landscape for example, where you
want great detail from the foreground, right the way through to the
mountains five kilometers away, then use a short lens (24 mm is ideal) set
at f22 and focused on a point about 2 km away.
On the other hand, when shooting a portrait where you only want to have the
eyes and mouth in sharp focus you would use a longer lens (and here the 135
is ideal) and a smaller Aperture number of around f5.6 to f4 and focus
directly on the eyes to give that ultra short Depth of Field required.
These optical laws hold good for all cameras, be they film or digital - but
you do need to manually control the aperture, something you can’t do with a
camera-phone, when you want great shots!
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